mahendra’s egypt

© mahendra myshkin 2024

the red sea

In March 2024, I went to the Egyptian Red Sea coast for a writing retreat. Besides a few ancient harbours like El Quoseir many settlements on the desert coast of the Red Sea are of fairly recent origin. A lot of tourist resorts have been built offering coral reefs, pleasantly warm water all year round,  calm beaches, and an ideal setting to write and research.


the ancient culture

For a few days I visited the ancient sites around Luxor and in Dendera in the Nile valley. With great fascination, I explored the surprisingly well preserved ancient temples, statues, paintings, and tombs. With my patient companion, the Panasonic GH 5, I captured my impressions.

Over a period of more than 3000 years—from the time of the first pyramids to the last arrangements at the Temple of Hathor at Dendera—the soil and the sands of Egypt bore the longest lasting culture in history, which produced an unparalleled succession of  achievements in the fields of art, architecture, politics, religion and science.

Over many centuries the Egyptians refined their conceptual thinking which effected the visual imagery of their art and their religious metaphors. New forms of speculative and abstract thought developed.

The richness of the Egyptian polytheistic world inspired other cultures to copy from them. From Egypt many ideas spread into Iran, Mesopotamia, Greece, the Roman empire and even to India.

  • before c. 3100

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    Predynastic Period

    Early settlements of various cultures

    Development of farming

    Pottery and copper smelting

    Northward spread of Naqada II culture

    Evidence of kings at Abydos

    Earliest writing

  • Early Dynastic Period

    FIRST DYNASTY (c. 3100 – c. 2890 BC)

    Capital at Memphis; Royal graves at Abydos; Narmer Palette

    Bracelets from tomb of King Djer (c. 3000 BC)

    Labels of King Den (c. 2950 BC)

    SECOND DYNASTY (c. 2890 – c. 2686 BC)

    Peribsen (c. 2700 BC); Khasekhemwy (c. 2686 BC)

    Tools Tools

    c. 3100 – c. 2686 BC

  • c. 2686 – c. 2181 BCE

    Heart Heart

    Old Kingdom

    THIRD DYNASTY (c. 2686 – c. 2613 BC)

    Step Pyramid of Djoser (Netjerikhet)

    FOURTH DYNASTY (c. 2613 – c. 2494 BC)

    Sneferu’s pyramids at Meidum and Dahshur

    Great Pyramid of Khufu (Cheops)

    Pyramids of Khafre (Chephren) and Menkaure (Mycerinus)

    FIFTH DYNASTY (c. 2494 – c. 2345 BC)

    Abusir pyramids; Sun temples at Abu Gurab

    Saqqara Pyramid of Unas (Wenis): first Pyramid Texts

    SIXTH DYNASTY (c. 2345 – c. 2181 BC)

    Pyramids of Teti and Pepi I at Saqqara

    Long reign of Pepi II (c. 2278 – c. 2184 BC)

    Autobiographies of Harkhuf, Sabni, and Mekhu at Aswan


the gods

Many ideas about gods and the human afterlife had originated from animistic-shamanic practice of the paleolithic hunter-gatherer tribes and were initially copied by the Egyptians. In the early days of the Egyptian polytheistic culture the deities were mostly personalized versions of natural  phenomena (e.g. Gods of thunder, sun, moon ocean, etc.). Over the course of time hundreds of gods and goddesses were invented and worshipped. The characteristics of individual gods could be hard to pin down. Most had a principle association (for example, with the sun or the underworld) and form. But these could change over time as gods rose and fell in importance and evolved in ways that corresponded to developments in Egyptian society and thinking.

When we look at the Egyptian pantheon, we may notice that female deities are represented in human shapes, while  male gods were depicted in four progressively diverse forms as:

1. zoomorphic, either animals or birds;
2. zoomorphic, but with parts of the human body;
3. humans, with animal or bird heads;
4. fully anthropomorphic.

Among those hundreds of gods, I selected eleven major players who represent a complete spiritual and administrative team that governed every aspect of existence, from the creation of the body to the judgment of the soul.

Here is the powerful First XI of deities.

Deity The Role (Position) Key Iconography
1 Amon (Amun) The Captain: King of the Gods and the “Hidden One”. Man with a tall, double-plumed crown.
2 Ra-Horakhty The Powerhouse: The Sun God and source of all life. Sun disk on his head, often with a falcon’s face.
3 Osiris The Anchor: Lord of the Afterlife and Resurrection. Mummified king holding the crook and flail.
4 Isis The Playmaker: Goddess of Magic and the Divine Mother. Throne-shaped headdress or cow horns with a sun disk.
5 Hathor Goddess of love, beauty, music, dancing, and fertility. She is the “mistress of joy” who welcomes the dead into the next life. A headdress of cow horns with a sun disk between them. Sometimes with cow ears or as a full cow.
6 Ptah The Architect: Creator of the physical world through thought. Mummiform man with a skullcap holding a powerful staff.
7 Thoth The Strategist: God of Wisdom, Writing, and the Moon. Man with the head of an Ibis or a Baboon.
8 Maat The Referee: Goddess of Truth, Justice, and Cosmic Order. A single ostrich feather worn on the head.
9 Anubis The Guardian: Protector of the Dead and God of Embalming. Jackal-headed man.
10 Khnum The Creator: The potter who fashions humans on his wheel. Ram-headed god.
11 Seth (Set) The Wildcard: God of Chaos, Storms, and the Desert. Composite “Set Animal” with a curved snout and squared ears.

the hieroglyphs

Today we can observe the metamorphoses that the ancient metaphors underwent over the centuries, because the Egyptians left us a lot of inscriptions written in hieroglyphs—symbols  that may be representing the objects that they depict but usually stand for particular sounds or groups of sounds. In 1822, French orientalist Jean-Francois Champollion published his first breakthrough in the decipherment of the Rosetta hieroglyphs, showing that the Egyptian writing system was a combination of phonetic and ideographic signs. Western scientists have deciphered hieroglyphs and their development into hieratic and demotic signs during the last two centuries. Thanks to these people we know a lot about the pharaohs and the culture they created and lived in, even though the rise of Christianity in the 2nd and 3rd centuries CE caused the decline and ultimate demise not only of the ancient Egyptian religion but of its hieroglyphics as well.

Here is an example of a frieze with hieroglyphs in the open air museum of the Karnak temple compound:

The inscription is an appraisal of the reigning pharaoh. It can be deciphered as
“All Life, Stability, and Power are given to the Lord. Truth (Maat) is upon him, who is protected by Ra and Horus for all eternity.”

The sequence “Maat is upon him” is the centerpiece here. It’s a legalistic and spiritual claim that the Pharaoh is the only one capable of holding up the “heavens” of the temple. His life force has been given to him directly from the Gods. Thus empowered he is superior to all normal mortals.The symbols from right to left—as deciphered with the help of Google Gemini:

# Form Hieroglyph Name & Transcription Symbolic Meaning
1 Cobra with loaf and horizontal staff Uraeus on Basket ($iart/nb$) The “Rearing Cobra” on a basket signifies the goddess Wadjet and the King as “Lord of the Two Ladies”.
2 Ball with parallel lines and oval string Shen Ring & Solar Disk ($Sn$) Represents eternity and the “encircling” protection of the sun god.
3 Sun Disk Ra ($ra$) The sun god, the primary source of life and power.
4 Falcon Horus ($Hr$) The god of kingship; identifying the Pharaoh as the “Living Horus” on Earth.
5 Double L-Block Maat Pedestal ($mAat$) The platform of “Truth” and “Cosmic Order”.
6 Head Tep / Hr A frontal face used as a preposition meaning “Upon” or “Over”. 
7 Viper with basket and “dryer” Viper ($f$) & Basket ($nb$) The suffix “His” ($f$) and “Lord” ($nb$), referring to the Pharaoh’s possession of Order.
8 Foot with leg and water/wave Foot ($b$) & Water ($n$) Phonetic signs often used in prepositions like “to” or “for”.
9 Was with “pipes” Was Scepter ($wAs$) The scepter of “Power” and “Dominion”.
10 Pillar with 3 tops Djed Pillar ($Dd$) The symbol of “Stability”.
11 Ankh (broken) Ankh ($anx$) The symbol of “Life”.

FormHieroglyph Name & TranscriptionSymbolic Meaning
Cobra with loaf and horizontal staff Uraeus on Basket ($iart/nb$) The “Rearing Cobra” on a basket signifies the goddess Wadjet and the King as “Lord of the Two Ladies”.
Ball with parallel lines and oval string Shen Ring & Solar Disk ($Sn$)Represents eternity and the “encircling” protection of the sun god.
Sun Disk Ra ($ra$)The sun god, the primary source of life and power.